This Is Gothic The Bat Cave Anthology Rar
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This Is Gothic: The Bat Cave Anthology - A Review
This Is Gothic: The Bat Cave Anthology is a compilation album released by Cleopatra Records in 2007. It features 31 tracks from various gothic rock, deathrock, electro, darkwave and new wave bands from the 1980s to the present. The album is divided into two discs: the first one covers the Bat Cave era and its influences, while the second one showcases more contemporary gothic bands and styles.
The first disc includes some of the most iconic and influential bands of the gothic scene, such as Alien Sex Fiend, Virgin Prunes, Gene Loves Jezebel, Christian Death, The March Violets, Red Lorry Yellow Lorry, Flesh For Lulu, 45 Grave and Super Heroines. The songs range from dark and gloomy to catchy and danceable, reflecting the diversity and creativity of the genre. Some of the highlights are Alien Sex Fiend's \"Now I'm Feeling Zombified\", Gene Loves Jezebel's \"Desire (12\\\" White Label G.W. Childs Remix)\", Christian Death's \"Spectre\", Red Lorry Yellow Lorry's \"Spinning Round (12\\\" Crash Mix)\" and 45 Grave's \"Evil\".
The second disc features more recent bands that have carried on the gothic tradition or added new elements to it, such as The 69 Eyes, Rosetta Stone, Switchblade Symphony, Usherhouse, The Wake, Corpus Delicti, The Electric Hellfire Club, Nosferatu and Inkubus Sukkubus. The songs are more varied and experimental, incorporating industrial, metal, electronic and folk influences. Some of the highlights are The 69 Eyes' \"Gothic Girl\", Rosetta Stone's \"The Witch (Extended 12\\\" Version)\", Switchblade Symphony's \"Gutter Glitter\", Usherhouse's \"Permanent Red\" and Inkubus Sukkubus' \"Belladonna & Aconite\".
This Is Gothic: The Bat Cave Anthology is a great introduction to the gothic music scene for newcomers and a nostalgic trip for old fans. It covers a wide range of bands and styles that have shaped and defined the genre over the years. It is also a rare opportunity to hear some of the classic songs in their original or remixed versions. This album is a must-have for any gothic music lover.
Goth music has its roots in the punk rock scene of the late 1970s, which challenged the mainstream music industry and culture with its rebellious attitude and DIY ethos. Some of the bands that influenced the early goth music were The Velvet Underground, The Doors, David Bowie, Iggy Pop and The Stooges[^2^]. These bands experimented with dark and unconventional sounds and lyrics, creating a sense of alienation and mystery.
The term \"goth\" was first used by music journalist John Stickney in 1967 to describe the band The Velvet Underground & Nico[^2^]. He wrote: \"The Velvets are an interesting group â 'black' is their image, their music is a frozen fire of Gothic rock\". However, the term did not become widely used until the early 1980s, when it was applied to a new wave of post-punk bands that emerged in the UK and elsewhere. These bands were influenced by the gloomy and romantic aesthetics of Gothic literature, art and architecture, as well as by horror films and occultism.
Some of the pioneers of goth music were Bauhaus, Siouxsie and the Banshees, Joy Division and The Cure[^3^]. These bands combined elements of punk, glam rock, synth-pop and industrial music to create a distinctive sound that was dark, atmospheric and haunting. They also adopted a distinctive visual style that featured pale skin, black clothing, heavy makeup and teased hair. Goth music soon gained popularity among young people who felt alienated from mainstream society and culture. Goth music also spawned various subgenres and scenes, such as deathrock, ethereal wave, darkwave, gothic metal and gothic rock. aa16f39245